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Assembly
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1. Grip the head-joint in your left hand and grip the socket on the flute
body with your right hand, then gently twist the body
onto the head-joint.
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2. Once the head-joint is fully inserted rotate it so that the embouchure
hole is aligned with the keys - then pull the
head-joint out 2 mm.
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3. Now grip the socket of the body with your left hand.
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4. Grip the very end of the foot-joint with your right hand to avoid
touching the keys. Gently twist the foot-joint onto
the tenon on the flute body in a clockwise direction
only! (If you find this difficult then grip the
foot-joint with the upper part of your palm pressing
down gently on top of the key hinges while keeping the
two lowest keys held closed with the middle of your
palm). >
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5. Align the foot-joint so that your little
finger can operate the keys, remember to twist the
foot-joint in a clockwise direction only.
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Taking
care of
the instrument |
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Clean the tenons and sockets with a cloth before assembling the
instrument, (this will prevent deposits building up on
the tenons which eventually prevent an airtight
seal).
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When you have finished playing take the instrument apart and flick the
head-joint to remove any water droplets, then leave
the flute to "air" in its case with the top
open, or on a stand, for 5-10 minutes. This will help
to prolong the life of the pads.
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If the instrument has to be packed away often without being left to air
then a "pad saver" will help - it will soak
up the moisture left in the instrument.
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Cleaning
the instrument |
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If dust or fluff does gather on the instrument then gently brush it away
with a shaving brush.
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Occasionally polish the instrument (using a silver cleaning cloth)
particularly the embouchure plate, the keys, and the
place where you put your right thumb (this will
prolong the life of the silver plating).
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If you feel competent enough then once a month use a precision screw
driver to gently check the screws at either end of the
flute are tight. Do not adjust any tiny screws found
at the back or to the side of the individual keys.
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If the pads become sticky do the following: -use pad cleaning papers to
clean the pads - dab on a little meths onto the paper
with a cotton bud, place the paper under the key pad,
hold the key lightly closed and pull the paper
through; now the pad is clean place a sheet of powder
paper under the pad, hold the key lightly closed and
pull the paper through.
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Flute stands |
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Some players find the hassle of assembling and
disassembling a flute can
prevent them practicing. If the flute is placed on a
stand after playing it can be left assembled and it
will drain properly (although it is vulnerable to
being knocked over).
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Child players (with siblings) might be better off placing the instrument
under their bed resting on the G# key (with the holes
pointing upwards), the instrument won’t drain
effectively but it might be played more often and
won’t get knocked over.
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In performances it is best for the player to keep hold of their flute,
this way it won’t cool down (and play flat).
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Flute
cases and case covers |
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Flutes are easily damaged and a well fitting instrument case is
essential. The keys will be bent if the instrument can
move in the case while being carried. Nothing else
should be kept in the case unless there is a specific
compartment for it.
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It is essential to have a tenon cleaning cloth - if the case has a space
under the body of the flute then store the cloth there
- do not store the cloth on top of the instrument! If
there is no space then it is best to buy a case cover
in order to store the cloth with the instrument.
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Servicing
and repair |
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The instrument should be serviced once a year to ensure it is operating
correctly. The pads, corks, and felts on the
instrument (and also the adhesives which keeps these
items in place) deteriorate over time. On older or
poorer quality instruments the mechanism itself starts
to wear and keys can become loose or jammed.>
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Usually such deterioration is gradual and the player subconsciously
compensates by blowing harder and pressing harder on
the keys. Without servicing the deterioration
continues: the quality of tone diminishes; the
instrument becomes less responsive; the tuning becomes
unreliable. Eventually something major goes wrong and
the instrument becomes unplayable and in need of
considerable repair.
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Players often blame themselves for the poor sound they produce when
really it is the condition of the instrument that is
causing problems.
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Test your flute with the following exercises, in all cases you should be
able to play the notes without squeezing the keys hard
or blowing hard: C to Bb using thumb key; B to A; A to
G; G to F#; G to F; Low D to Low C.
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